Couperin: Apotheoses

Couperin: Apotheoses

London Baroque

2003-07-01Classical

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Tracklist

  • 1
    Le Parnasse, ou L'Apotheose de Corelli: I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them.
    2:21
  • 2
    Le Parnasse, ou L'Apotheose de Corelli: II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers.
    2:17
  • 3
    Le Parnasse, ou L'Apotheose de Corelli: III. Corelli drinks at the well of Hypocrene. His followers proceed.
    2:43
  • 4
    Le Parnasse, ou L'Apotheose de Corelli: IV. Corelli's exaltation at drinking at the waters of Hypocrene.
    1:04
  • 5
    Le Parnasse, ou L'Apotheose de Corelli: V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music.
    2:26
  • 6
    Le Parnasse, ou L'Apotheose de Corelli: VI. The Muses wake Corelli and place him next to Apollo.
    0:53
  • 7
    Le Parnasse, ou L'Apotheose de Corelli: VII. Corelli gives thanks.
    2:25
  • 8
    L'Apothéose de Lulli: I. Lully in the Elysian Fields making music with the spirits of the underworld.
    2:32
  • 9
    L'Apothéose de Lulli: II. Air for the same.
    2:23
  • 10
    L'Apothéose de Lulli: III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there.
    0:40
  • 11
    L'Apothéose de Lulli: IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus.
    3:14
  • 12
    L'Apothéose de Lulli: V. Subterranean rumblings caused by Lully's contemporaries.
    0:37
  • 13
    L'Apothéose de Lulli: VI. Lamentations of the same for flutes or very muted violins.
    2:28
  • 14
    L'Apothéose de Lulli: VII. Lully Is elevated to Parnassus.
    1:02
  • 15
    L'Apothéose de Lulli: VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses.
    2:23
  • 16
    L'Apothéose de Lulli: IX. Lully's thanks to Apollo.
    2:41
  • 17
    L'Apothéose de Lulli: X. Apollo persuades Lully and Corelli That ... French and Italian styles would make perfection in Music: Essay in the form of an overture.
    4:12
  • 18
    L'Apothéose de Lulli: XI. Lully plays the subject and Corelli accompanies It (First Air); Corelli plays the subject ...And Lully accompanies It [Second Air]
    2:05
  • 19
    L'Apothéose de Lulli: XII: The Peace of Parnasus (Trio Sonata): I. Gravement
    2:46
  • 20
    L'Apothéose de Lulli: XIII. The Peace of Parnasus (Trio Sonata): II. Saillie [Vivement]
    1:30
  • 21
    L'Apothéose de Lulli: XIV. The Peace of Parnasus (Trio Sonata): III. Rondement
    1:39
  • 22
    L'Apothéose de Lulli: XV. The Peace of Parnasus (Trio Sonata): IV. Vivement
    1:49
  • 23
    La Sultane: — - — - Air tendrement - — - Legerement - Vivement
    9:43
  • 24
    La Steinquerque: Gayement (Bruit de Guerre) - Lentement - Gravement - Legerement - Mouvement de Fanfares - Lentement - Gravement - Gayement
    9:49